Bringing another different mood to the 'City Lights' series, this time one that (hopefully) befits the current occasion.
Happy Valentine's Day, everyone! Everybody say LOVE!
Bringing another different mood to the 'City Lights' series, this time one that (hopefully) befits the current occasion.
Happy Valentine's Day, everyone! Everybody say LOVE!
It has been raining quite a lot recently. Thought I'd bring a different mood to the series.
Something a little familiar, just repainted with some slight differences, and a slight change in the colour.
-- Blind Faith, Can't Find My Way Home
I was very recently acquainted with the art of Simon Stålenhag and also just started watching TALES FROM THE LOOP. I am deeply enthralled and inspired by the atmosphere and the mood and the stories told by both Stålenhag's works and also the show, so much so that I thought I'd use that inspiration for my next practice on composition.
Eurydice
1920 x 1600
SketchBook
Lately I have been feeling somewhat lousy about a couple of things where painting is concerned. At least with my last piece of work (my first for 2023), I realised that I have heavily regressed to purely working instinctively again, and in struggling to bring the piece to life, it has made me realise what I might still need a great deal of work on: composition, tone and perspective.
So I went in search of an instructional video on composition -- which I really should have done in the past, or if I did, probably should have paid more attention -- and I found this one, which helped a great deal.
Anyways, having seen the video, I took out my stylus and phone and started making a sketch, very reminiscent of some of the examples you will see in the video.
After the sketch, I went straight into painting and adding in the details almost very instinctively -- which was fine seeing as there was already work done for the foundation, and I didn't have to guess how the picture would generally look like anymore.
Once again, a solid foundation makes for a more fulfilling and satisfying painting process. And fun too.
Anyways, here's the close-up of our little 'Opheus' character. Why Orpheus? Because as I filled in the details, I began to realise that I may have been subconsciously inspired by SONG OF ORPHEUS from THE SANDMAN graphic novel.
This one is inspired by THE SANDMAN (both the picture and the title).
I am in a big SANDMAN mood these past few days. I am close to finishing the first volume of my copy of the graphic novel and will be getting the second volume soon. Can't wait to continue reading it!
Also, rewatching the first season, too. Having now finished the Doll-House arc, I would like to re-watch the first season with new eyes.
Somewhat inspired by Fallout 4. Recently gotten into the game, and I really love the look and feel of the atmosphere. I guess I have been into it quite a bit, it sorta subconsciously influenced me when I painted this.
Anyways, here is a close-up of our guy and their feathery friend! Have a great weekend ahead, guys!
I recently came across a glazing demonstration video, and I was quite intrigued by the process.
For those who are not familiar with it: they would start with an underpainting of the lights and shadows, before adding a layer of semi-transparent paint over them to bring out the tones with more colour.
I thought I'd give this a go in digital, just to see how I would feel about it. I realise that as I write this, it isn't too different from the usual digital painting process that I have used in the past, what with all the layers that we can play around with and whatnot, but this would be my first conscious attempt to do it in this manner.
So, I started with this as the underpainting, mapping out the tones and at the same time, on the composition of the picture:
Yeah, more landscape art inspired by Montana, cos why not?
Also today, while painting this, I was reacquainted with an old classic, through a new re-recording, which I have only just found out about.
Okay, so not exactly Montana, but it is at the very least inspired by the landscapes there.
I came across a video recently for CCR's song 'Have You Seen The Rain?' and, yeah, I clicked in because Jack Quaid's in it. The location where they filmed it seemed really beautiful, so I looked it up and found out that it is in Montana.
This brought me back to 'The Horse Whisperer', one of my few conscious media experiences of the place, and one where I had some fond memories off, mostly because of the setting of the film and the music. That got me to watching a few clips of it again on YouTube -- and I might just rewatch it again one of these days. Here are two scenes which also features two of my favourite tracks from the OST.
From there, inspirations for this painting started pouring in. And so, this painting was born.
I've never been to Montana, but having seen that music video and watched more clips of 'The Horse Whisperer', I would definitely like to visit it someday.